In the world of Hindi music, the magic of duets has always been a cherished aspect. When it comes to duets, the norm is an equal distribution of lyrics between male and female singers, creating a harmonious conversation that captivates the audience.
However, amidst the treasure trove of the musical collaborations, there are few rare gems where the legendary Mohammad Rafi took on a unique role, singing shorter segments or providing a distinct touch to the compositions. In these instances, Mohammad Rafi shines in a unique light by exhibiting class and versatility and elevating the listening experience to unparalleled heights.
Aankhon Hi Aankhon Mein Ishara Ho Gaya … (C.I.D., 1956)
In this classic, while Rafi initiated the song, Aankhon Hi Aankhon Mein Ishara Ho Gaya …, with the Mukhda, all four stanzas were beautifully rendered by Geeta Dutt. What sets this apart is Rafi’s role in singing the Mukhda at the end of each stanza, with a fresh and distinct style each time. Mohammad Rafi’s class is evident from the permanently sweet and refreshing experience he set for the audience.
Chalo Dildar Chalo, Chand Ke Paar Chalo … (Pakeezah, 1972)
Though Rafi starts with the Mukhda of Chalo Dildar Chalo …, Lata Mangeshkar takes over and completes it by singing the second half. Throughout the song, the Mukhda is presented in this pattern by both the legendary singers.
The real beauty, however, lies in the Aalap sung by Rafi before third stanza, creating an enchanting interlude that elevates the song’s appeal. Thus, despite having little share of verses, Rafi’s contribution in these interludes adds a unique charm, making the song an unforgettable masterpiece.
Ye Toh Kaho Ki Kaun Ho Tum … (Akeli Mat Jaiyo, 1963)
Softly commencing with Rafi’s voice, this song Ye Toh Kaho Ki Kaun Ho Tum … is predominantly sung by Lata Mangeshkar in her angel-like voice. Rafi’s contribution is a short but delightful Yes My Darling, Yes My Darling between the stanzas. Despite the brevity of Rafi’s contribution, it adds a special touch, showcasing the maestro’s finesse even in limited segments.
Haji Haji Arre Haji Baba, Mere Sanam Se … (Mere Sanam, 1965)
In this virtual Asha Bhosle solo, Haji Haji Arre Haji Baba, Mere Sanam Se …, Rafi injects a Middle Eastern flair with his unique rendition of Haji Baba. Crafted in high notes, Mohammed Rafi has sung the Haji Baba in high notes and haunting style. Although Rafi’s part is brief, it enhances the melodious flavor of the song, demonstrating that even a brief interlude can make a significant impact on entire composition.
Door Koi Gaaye, Dhun Ye Sunaye … (Baiju Bawra, 1952)
Featuring two iconic female voices, Shamshad Begum and Lata Mangeshkar, the song, Door Koi Gaaye, Dhun Ye Sunaaye …, is adorned with Rafi’s exquisite Aalap Ho Ji Ho … towards the end. Rafi’s brief but impactful contribution adds a captivating layer to the composition, enriching the overall musical experience.
Daiya Re Daiya, Laaj Mohe Laage … (Leader, 1964)
Literally, another solo by Asha Bhosle, this three-stanza song, Daiya Re Daiya Laaj Mohe Aaye …, sees Rafi inserting a mesmerizing Aalap at the end of each stanza. The variations in Rafi’s Aalap each time are nothing short of awe-inspiring. This song is yet another testament to his unparalleled vocal prowess, leaving listeners in awe of the musical nuances.
The decision to feature Mohammad Rafi in shorter segments by music directors such as Naushad Ali, Ghulam Mohammed, Madan Mohan, and O.P. Nayyar was not accidental. It was a strategic move by these iconic Music Composer based on their deep understanding of Rafi’s unmatched ability to embellish musical masterpieces.
Despite the limited words, Rafi’s class and versatility shines throughout, leaving an indelible mark on each composition. These timeless songs, where Rafi’s contributions are brief yet impactful, continue to enchant music lovers, proving that the maestro’s artistry transcends the constraints of words.
In the next article, The Enchanting Legacy of A Maestro, we will explore the amazing ease with which Rafi Sahab was able to adapt his voice and singing to suit tends of iconic Lyricists, Music Composers and Co-singers.
Source: Video by Milind (YouTuber).