Song: Aaj Purani Raahon Se Koi Mujhe Aawaz Na De
Singer: Mohammad Rafi | Film: Aadmi (1968)
Lyricist: Shakeel Badayuni | Music: Naushad Ali
****************************************************
O ho ho o o, o ho ho
In which lay the memories of bygone days, I have forgotten those melodies
Today, I have a new destination; I have forgotten yesterday’s stops
Neither that heart, nor that beloved, nor that faith or religion
Now, I am far from all sins
Today, from the old paths, let no one call out to me
All the bonds of love have broken; today, there are no chains
In the mirror of the heart, there is no image of desires today
Now, I am happy, I am free; sighs are of no use to me
Today, from the old paths, let no one call out to me
Do not give me songs drowned in pain, or a musical instrument that sobs with sorrow
O ho ho o o, o ho ho
Life has changed, the world has changed; my mind has gained unique wisdom.
Today, within my own heart, I have found a new person.
I have reached a place not far away, where even God is within my sight.
Today, from the old paths, let no one call out to me
Do not give me songs drowned in pain, or a musical instrument that sobs with sorrow
Do not give me songs drowned in pain, or a musical instrument that sobs with sorrow
O ho ho o o, o ho ho
Note: Hindi readers should refer to the original lyrics, not the translated version.
The song “Aaj Purani Rahon Se, Koi Mujhe Aawaz Na De” is a reflective and introspective piece about moving on from the past. The singer expresses a desire to avoid reminders of old pains, declaring that they have found a new path and a new sense of self. The lyrics convey a mix of melancholy, liberation, and spiritual awakening, as the singer reflects on their transformation and newfound freedom. The recurring refrain emphasizes the singer’s determination to leave the past behind and embrace a new beginning, making the song a poignant exploration of personal growth and renewal.
For deeper insight into the song, review the detailed analysis of the lyrics, composition and singing.
~ Balwant S. Wadhwani